Is forbidden per all licensing contracts without author consent. be it deletion, addition, substitution, or re-interpretation. Parenthetical English translations are provided for the actors only, not for use in performance.Ī CD of the sound design and original music for ENCHANTED APRIL by John Gromada is available through Dramatists Play Service.Īny alteration to the scripted text for the purpose of performance Any necessary props should be brought on and off by the actors involved, or by a stagehand costumed as a servant.Īct Two is best played “out,” with the “sea and gardens” imagined somewhere beyond the audience.Īll scripted lines of dialogue in the Italian language are to be spoken in Italian. In fact, the more heavyhearted the overall tone of Act One, the stronger and more bittersweet the humor, and the brighter and more celebratory the rewards of Act Two.) Scene transitions should occur swiftly, without breaking the Act’s flow, consisting of nothing more than a repositioning of the four chairs, the taking off and putting on of outerwear, lighting changes, and designated sound cues. The two acts of ENCHANTED APRIL are intentionally different from each other in form, crafted to lead the audience on the same sensory journey as the play’s characters.Īct One should project the heavy, haunted atmosphere of mourning, with each scene blending into the next, the Act gradually building in momentum like a train gaining speed.
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